Rob van den Braak
Brett Martin will be treating FESPA Digital (Amsterdam RAI, 8th – 11th) as a platform for exhibiting its latest range of flat sheet products to the print and display sector. Visitors to stand R143 will be able to view first-hand a wide variety of the company’s substrates, including the Foam PVC Range (Foamalux White, Foamalux Colour, Foamalux Ultra and Foamalux Xtra) and Transparent Sheet Range (Marlon FS Polycarbonate, Marpet-g FS PETg, Marpet-a FS aPET and Marcryl Acrylic), which is one of the broadest available in Europe.
“As a well-established and reputable manufacturer, Brett Martin understands the challenges that the sign & display sector faces,” comments Duncan Smith, Sales Director at Brett Martin. “FESPA represents an opportunity to raise awareness of our offering by showcasing an array of plastic printing substrates to an international audience that includes digital printers, screen printers, sign makers and plastic distributors for the print and display industries.”
One of the leading brands of foam PVC sheet, the Foamalux range will be prominent on the Brett Martin stand. Light in weight, versatile and highly durable, Foamalux has earned a reputation for quality performance for a wide variety of applications in the sign, display and print world.
The range comprises four different options: Foamalux White, a bright white direct to print PVC substrate available in thicknesses from 1‐24mm and UV stable for digital printing; Foamalux Colour, a vibrant palette of 15 colours that includes the innovative Neon Pink, Neon Green, Raspberry and Black Sparkle options; Foamalux Ultra, a durable rigid foam PVC sheet with a high gloss premium finish available in white and 6 colours, providing a high end appeal; and Foamalux Xtra, manufactured from recycled foam PVC, comprising a recycled black core sandwiched between surfaces of white virgin PVC to a achieve a dramatic finish, with new options including 19mm Black and 19mm White-Black-White.
Smith is also keen to highlight the presence of the company’s latest Transparent Sheets at the show. “We consider Brett Martin as the one-stop shop for transparent sheet products. With such a wide offering available across Europe, it makes sense to illustrate the features and benefits of these products at an event like FESPA,” he comments.
The first of these, Marlon FS Polycarbonate, is a thermoplastic sheet with remarkable durability. Ranging in thickness from 0.75‐15mm and available in sizes up to 2050mm, the sheet provides 200 times more impact resistance than glass at only half the weight. Marlon FS Polycarbonate’s flexible design and high optical clarity make it ideal for displays, poster covers and illuminated signage.
Marpet‐a FS aPET is a new introductory range of high optical grade amorphous polyester sheets from Brett Martin. Combining high transparency and impact strength with chemical resistance and fire performance, the sheet is ideal for flat and cold bending applications. The sheet comes in thicknesses of 2 – 4mm and can be utilised in a variety of sectors ranging from retail (price tags, POP displays, shop fittings) to signage (poster covers, light boxes).
Another substrate that is perfect for sign, display and store fixture applications is Marpet‐g FS PETg, an amorphous copolyester that does not crystallize, therefore making it suitable for fabrication, heating and vacuum forming, without the chance of whitening or cracking. The substrate’s versatility (it can be easily cut, drilled, digitally printed or screen‐printed) allows for the creation of a variety of shapes and is available in thicknesses from 0.75 to 12mm.
Finally, Marcyl FS Acrylic is a high gloss acrylic sheet featuring a glass-like aesthetic, making it the ideal option for applications where a high end finish is required to add further value. Available in thicknesses of 2-10mm, the sheet is best deployed for displays, leaflet holders, POS equipment, as well as assorted fixtures and light boxes.
“With a long heritage in plastics substrate manufacturing, our objective for FESPA Digital is to show visitors to what extent our solutions can benefit the print and display community,” concludes Duncan Smith. “We are very much looking forward to showcasing our offering, as well as engaging with our existing and prospective customers to discuss the latest trends and opportunities in this exciting industry.”
Lees verder....
Wil je in maart gratis naar FESPA Digital dan biedt Blokboek.com in samenwerking met de FESPA organisatie je een gratis ticket aan. Dit ticket kun je verkrijgen via deze link waar je met de promotie-code ADOZ0707 je toegangsbewijs kunt claimen.
Combining new super-fast printing speeds with the same superior photo quality already seen on current SC-P models, it is ideal for high-volume production print environments who do not wish to compromise quality for productivity.
As you would expect from a production device, the SC-P20000 is very robust while incorporating a range of innovative technologies and features that make it very easy to operate.
Designed for commercial print firms, copy shops, photo labs, high street photo outlets, the SC-P20000 is ideal for any organisation looking for a cost effective in-house production solution. The SC-P20000 can create high-quality, large-format POS, short-term outdoor & interior signage, exhibition & display graphics, promotional graphics and photographs.
The printer comes with a permanent PrecisionCore MicroTFP printhead that produces print up to a 2,400 x 1,200dpi resolution. This is coupled with high-precision media feed technology, including a newly developed camera-based paper feed stabiliser and media inductive roller system, to ensure the printer operates smoothly even when unattended.
The SC-P range, which was launched last September, also includes the SC-P6000, SC-P7000, SC-P8000 and SC-P9000 inkjet printers, which are available in 61cm (24in) and 1.12m (44in) widths.
Martin Johns, product manager at Epson UK, said: “We understand that the market has been waiting a long time for the next generation of our highly popular Epson Stylus Pro 11880 and, with the SC-P20000, we have created a significantly superior successor.”
“This printer combines new rapid printing speeds with the same high output quality that Epson customers have come to expect while delivering a range of new features and enhanced usability.”
In order to deliver the high quality expected by the marketplace, the SC-P20000 includes a number of features to help ensure the most accurate, precise, productive and reliable results. For excellent colour reproduction, a new Epson UltraChrome Pro 10-colour inkset consistently delivers fantastic looking prints.
According to the company, blacks will be deep and rich thanks to new high-density Photo and Matte Black inks while better gradation with reduced graininess can be achieved thanks to the inkset containing four shades of black ink, and Multi Size Droplet Technology (MSDT).
Additionally, a new printhead structure means fewer vibrations and more accurate ink droplets and dot placement. The Epson Colour Calibration utility allows users to easily manage their colour reproduction and ensure consistency.
The SC-P20000 not only produces great results, but it makes operation and maintenance clear and simple, allowing users to enjoy hassle-free production printing. Getting started is easy with a clearly illustrated user guide and colour LCD Panel.
During printing, a transparent printer cover window and roll cover window allows users to check the status of printing and remaining media. After printing has finished, the position of the printhead means that it can be cleaned by the user, along with the ink cap, to help save on maintenance costs.
User efficiency and workflow can be improved further with an optional Adobe post script module; while an optional HDD allows jobs to be reprinted directly from the printer panel, without the need for a PC.
Epson gebruikt Fespa Digital om de nieuwste aanwinst van de SC-P serie te introduceren. De SC-P20000 is de snelle versie van de vorig jaar geïntroduceerde SC-P serie, die met EPSON PrecisionCore MicroTFP 2400 x 1200 dpi printkoppen werkt en leverbaar is in 61 cm en 112 breedte.
Epson updates SureColor SC-P series with faster addition
Combining new super-fast printing speeds with the same superior photo quality already seen on current SC-P models, it is ideal for high-volume production print environments who do not wish to compromise quality for productivity.As you would expect from a production device, the SC-P20000 is very robust while incorporating a range of innovative technologies and features that make it very easy to operate.
Designed for commercial print firms, copy shops, photo labs, high street photo outlets, the SC-P20000 is ideal for any organisation looking for a cost effective in-house production solution. The SC-P20000 can create high-quality, large-format POS, short-term outdoor & interior signage, exhibition & display graphics, promotional graphics and photographs.
The printer comes with a permanent PrecisionCore MicroTFP printhead that produces print up to a 2,400 x 1,200dpi resolution. This is coupled with high-precision media feed technology, including a newly developed camera-based paper feed stabiliser and media inductive roller system, to ensure the printer operates smoothly even when unattended.
The SC-P range, which was launched last September, also includes the SC-P6000, SC-P7000, SC-P8000 and SC-P9000 inkjet printers, which are available in 61cm (24in) and 1.12m (44in) widths.
Martin Johns, product manager at Epson UK, said: “We understand that the market has been waiting a long time for the next generation of our highly popular Epson Stylus Pro 11880 and, with the SC-P20000, we have created a significantly superior successor.”
“This printer combines new rapid printing speeds with the same high output quality that Epson customers have come to expect while delivering a range of new features and enhanced usability.”
In order to deliver the high quality expected by the marketplace, the SC-P20000 includes a number of features to help ensure the most accurate, precise, productive and reliable results. For excellent colour reproduction, a new Epson UltraChrome Pro 10-colour inkset consistently delivers fantastic looking prints.
According to the company, blacks will be deep and rich thanks to new high-density Photo and Matte Black inks while better gradation with reduced graininess can be achieved thanks to the inkset containing four shades of black ink, and Multi Size Droplet Technology (MSDT).
Additionally, a new printhead structure means fewer vibrations and more accurate ink droplets and dot placement. The Epson Colour Calibration utility allows users to easily manage their colour reproduction and ensure consistency.
The SC-P20000 not only produces great results, but it makes operation and maintenance clear and simple, allowing users to enjoy hassle-free production printing. Getting started is easy with a clearly illustrated user guide and colour LCD Panel.
During printing, a transparent printer cover window and roll cover window allows users to check the status of printing and remaining media. After printing has finished, the position of the printhead means that it can be cleaned by the user, along with the ink cap, to help save on maintenance costs.
User efficiency and workflow can be improved further with an optional Adobe post script module; while an optional HDD allows jobs to be reprinted directly from the printer panel, without the need for a PC.
The new SureColor SC-P20000 will be shown at FESPA Digital 2016 in Amsterdam from 8 to 11 March and will be commercially available the same month. Pricing is yet to be confirmed.
In Duitsland is Bild met een belangrijke test begonnen, het distribueert gedeeltes van zijn content via de nieuwe Facebook Messenger app. De uitkomst van de test geeft ons straks een indruk of apps zoals Messenger echt een rol zullen gaan spelen bij het verspreiden van nieuws. Via de app krijgen Facebook gebruikers snippets met een url naar het complete bericht voorgeschoteld. Of lezers die link gaan volgen is niet alleen afhankelijk van wat het nieuws is en hoe goed de kop geschreven is, maar ook hoeveel Facebook gebruikers er werkelijk gebruik maken van Messenger en hoe vaak ze nieuws willen lezen. Eén van de voordelen van apps als Messenger is dat nieuws eenvoudig opgedeeld kan worden in segmenten die voor een individuele gebruiker interessant zijn. Voor Bild als uitgever is het grote voordeel dat het gaat beschikken over een enorme hoeveelheid ‘big-data’ van de Facebook lezers. Of die daar blij mee zullen zijn hangt af van hoe de uitgever daarmee omgaat. Een interessante test om te volgen dus, zeker ook voor ons als Blokboek.com waar we constant kijken hoe we jou als lezer het door ons geselecteerde nieuws, achtergronden en opinies het beste kunnen verspreiden. Moet dat via de site, via sociale media, een wekelijkse of dagelijkse nieuwsbrief of een combinatie daarvan. Heb je daar een mening over laat het ons dan weten via de ‘commentaar’ functie bij deze post, we stellen je reactie erg op prijs.Bild, in Germany, has started testing an important new way of sharing content, or parts of content, via the Facebook Messenger app. The result will give us insight into how apps such as Messenger can play a role in the distribution of news. Facebook users will receive snippets with a link to the complete message. How many readers will actually follow that link is not only dependent on the news and the attractiveness of the snippet, but also on how many Facebook users actually use the Messenger app and if they want to read news. One of the advantages of apps such as Messenger is that the news can be segmented for the individual user. A huge advantage for publisher Bild will be that they will have an enormous amount of big data available from Facebook users. Whether or not Facebook users are happy with that depends on how the publisher handles their data.
An interesting test, also for us at Blokboek.com. We are constantly looking for the best ways to distribute our news, background stories and columns. Via the site, via social media, a daily or weekly newsletter or a combination. We would like to hear your opinion, via a comment in the comment box.
Lees verder....
Lees verder....Ricoh to Acquire AnaJet, a Leader in Direct to Garment Printers
News Release
Purchase Echoes Ricoh’s Commitment to Empower Global Customers to Bring New Value to Their Markets
TOKYO, January 8, 2016— Ricoh Company, Ltd. today announced that the company has reached an agreement to buy AnaJet, the leader in direct to garment (DTG) printing. This acquisition is the latest strategic investment by Ricoh to strengthen its industrial inkjet business while enabling its customers to move forward new ideas and drive imaginative thinking. Located in the U.S., AnaJet will become a wholly owned subsidiary of Ricoh Printing Systems America, Inc.
Founded in 2006, AnaJet was one of the first companies in the world to mass produce DTG printers. Today, the company is a global market leader in the DTG industry. The majority of AnaJet products available today leverage Ricoh’s market-leading inkjet printheads.
Ricoh’s experience has focused on office and commercial print technologies. The addition of the AnaJet portfolio will help Ricoh further its position in the industrial inkjet market, a market where Ricoh maintains global leadership in inkjet printhead development. With AnaJet’s solutions combined with the broad Ricoh portfolio, customers will now have the ability to more effectively deliver a broader solution set to their end users.
“Ricoh has a long history of successful, strategic acquisitions that have helped our customers and partners around the world find new, effective ways to better serve their end users,” said Junichi Matsuno, General Manager, Inkjet Business Division, Ricoh Company, Ltd. “With the addition of AnaJet, our collective customers benefit from a larger support team, added innovation and access to a services-led portfolio of solutions to ultimately help them grow their business. AnaJet already possesses a proven reputation as a leader in DTG printing and as such, it is a great complement to Ricoh’s broad portfolio.”
“At AnaJet, we have led the industry in establishing the trend of direct to garment printing,” said Karl Tipre, CEO of AnaJet. “Today we are very pleased to announce that this acquisition will provide our expanding customer base with the services of yet another global leader in Ricoh. We are extremely excited for what lies ahead for the AnaJet brand and our customers.”
AnaJet will continue to operate under its current name, management team and capabilities, which currently include more than 50 employees and is headquartered in Costa Mesa, California.
If you had any doubts about the market potential of direct to textile printing, read the below press release about the acquisition of AnaJet by Ricoh. After its start in 2006 AnaJet has quickly become market leader in this segment. The American company produces the superfast SPRINT and the compact mPower i-series printers for the digital printing of garments and textile. AnaJet already used Ricoh inkjet heads for its printers and the acquisition seems a logical step for various reasons. AnaJet products will be shown by Ricoh during FESPA.
Lees verder....Ricoh to Acquire AnaJet, a Leader in Direct to Garment Printers
News Release
Purchase Echoes Ricoh’s Commitment to Empower Global Customers to Bring New Value to Their Markets
TOKYO, January 8, 2016— Ricoh Company, Ltd. today announced that the company has reached an agreement to buy AnaJet, the leader in direct to garment (DTG) printing. This acquisition is the latest strategic investment by Ricoh to strengthen its industrial inkjet business while enabling its customers to move forward new ideas and drive imaginative thinking. Located in the U.S., AnaJet will become a wholly owned subsidiary of Ricoh Printing Systems America, Inc.
Founded in 2006, AnaJet was one of the first companies in the world to mass produce DTG printers. Today, the company is a global market leader in the DTG industry. The majority of AnaJet products available today leverage Ricoh’s market-leading inkjet printheads.
Ricoh’s experience has focused on office and commercial print technologies. The addition of the AnaJet portfolio will help Ricoh further its position in the industrial inkjet market, a market where Ricoh maintains global leadership in inkjet printhead development. With AnaJet’s solutions combined with the broad Ricoh portfolio, customers will now have the ability to more effectively deliver a broader solution set to their end users.
“Ricoh has a long history of successful, strategic acquisitions that have helped our customers and partners around the world find new, effective ways to better serve their end users,” said Junichi Matsuno, General Manager, Inkjet Business Division, Ricoh Company, Ltd. “With the addition of AnaJet, our collective customers benefit from a larger support team, added innovation and access to a services-led portfolio of solutions to ultimately help them grow their business. AnaJet already possesses a proven reputation as a leader in DTG printing and as such, it is a great complement to Ricoh’s broad portfolio.”
“At AnaJet, we have led the industry in establishing the trend of direct to garment printing,” said Karl Tipre, CEO of AnaJet. “Today we are very pleased to announce that this acquisition will provide our expanding customer base with the services of yet another global leader in Ricoh. We are extremely excited for what lies ahead for the AnaJet brand and our customers.”
AnaJet will continue to operate under its current name, management team and capabilities, which currently include more than 50 employees and is headquartered in Costa Mesa, California.
We hebben er lang op moeten wachten maar vanaf 8 maart opent FESPA Digital zijn deuren in de RAI, Amsterdam. Het belooft een unieke beurs te worden met een ‘superhero’ line-up voor alle bezoekers
Het is al weer tien jaar geleden dat FESPA Digital zijn eerste vakbeurs organiseerde in Amsterdam. FESPA Digital is daarna snel het grootste internationale large format print event geworden en de FESPA organisatie is de trotse marktleider in dit segment.
De beurs is compleet uitverkocht, er is geen stand meer te verkrijgen, en met 42.000 vierkante meter wordt FESPA Digital het grootste digitale event ooit.
Bezoekers van de vakbeurs kunnen van de meer dan 450 standhouders een compleet overzicht verwachten van alle nieuwe ontwikkelingen op het gebied van digitaal printen, textiel printen en signage. Met één ticket krijgen ze toegang tot vier events, FESPA Digital, FESPA Textile, European Sign Expo en Printeriors. Deze unieke combinatie geeft bezoekers inzicht in de nieuwste digitale technieken, kunnen ze van experts horen wat de toekomst gaat brengen en super power ideeën opdoen voor hun bedrijf.
Deze grootste digitale beurs ter wereld is ook een bewijs van de spectaculaire groei die alle groot formaat sectoren mee maken. In 10 jaar groeide FESPA vakbeurs van 2 naar 10 hallen. Die groei komt ook uit Nederland met standhouders zoals Artiteq, Bas Neon, Basic Technical Paper en Tidersign die hun producten en diensten op FESPA Digital zullen tonen.
Voor grafische bedrijven die groot formaat printen zien als een uitbreiding van hun dienstenpakket is er geen betere gelegenheid te bedenken waar alle grote leveranciers van apparatuur, software, media en inkten hun producten tonen.
Bent u al actief in de marktsegment dan is dit event bij uitstek geschikt om bij te blijven op het gebied van techniek, toepassingen en succesvolle ondernemingsmodellen. Het is een evenement met een serie van seminars die een veelvoud aan onderwerpen op het gebied van digitaal- en textielprinten behandelen die lopen van met 3D geprinte kleren, UV-inkten tot direct op textiel printen en nog veel meer.
Seminars en interactieve demonstraties
Seminars en interactieve demonstraties van non-printed signage zijn te vinden in de Sign Seminars Area in European Sign Expo, waar onderwerpen zoals trends in signage, business development sessies en je kunt je eigen naam laten schilderen door een beroemde sign-writer of dat zelf proberen.
De Digital Textile Conference die plaatsvindt tijdens de beurs op 8 maart, is een aanrader voor bedrijven die op zoek zijn naar winstgevende opdrachten in textielbedrukking; een segment dat volgens het FESPA Print Census rapport een duidelijke groeimarkt is.
Printeriors, is een product showcase met voorbeelden van hoe printbedrijven en ontwerpers samen bijzondere interieurtoepassingen kunnen creëren. Voorbeelden van geprinte meubels en accessoires, tot behang en vloerbedekking zijn te vinden op dit speciale event.
En op 10 maart worden alle facetten van dit marktsegment behandeld tijdens de Printeriors conferentie.
Er is veel te zien en te beleven op FESPA Digital 2016, registratie is met de code ADOZO704 op www.fespadigital.com gratis en de RAI is eenvoudig te bereiken met auto of openbaar vervoer. Het is een evenement dat je niet mag missen!
Lynda Sutton, Marketing Manager, FESPA
Lees verder....The eagerly anticipated FESPA Digital 2016 returns to the Amsterdam RAI Exhibition Centre from 8-11 March, and is in full force with a superhero line-up for visitors to experience!
10 years on since the exhibition was first launched in Amsterdam, FESPA Digital has become the market-leading international event focused on digital wide format print. Now completely sold out, this edition will be the largest Digital event to date, covering 42,000 sqm.
Visitors attending the event in March can expect to see a comprehensive line up of over 450 exhibitors across digital and textile wide format print and signage. With just one entry ticket visitors will have access to four events– FESPA Digital, FESPA Textile, European Sign Expo and Printeriors. This combination will enable visitors to see the latest technology and hear from leading industry experts as they seek out new super-powers for their business.
As the largest Digital event delivered by FESPA, it demonstrates the huge growth across all industry sectors. In ten years, we’ve grown from two halls to seven! New exhibitors from the Netherlands include Artiteq, Bas Neon, Basic Technical Paper and Tidersign, among many more.
If you’re a commercial printer looking at wide format as a diversification opportunity, there’s simply no better place to find access to all the major hardware and software solutions vendors, together with all the digital ink and media suppliers under one roof.
Already active in digital wide format? The four-in-one event will be a mecca for wide format printers to stay abreast of developments in output technology, innovations in media and inks and to explore new revenue streams that you could access using your existing equipment.
There are plenty of opportunities to gain new insights and to develop technical knowledge across the four day event, including seminars covering both digital and textile printing content, with topics such as 3D printed clothing, direct-to-garment printing, UV inks and much more.
Seminars and interactive demonstrations on non-printed signage can be found in the Sign Seminars Area located in European Sign Expo, which will address topics including future trends in signage, business development sessions as well as the opportunity for visitors to have their name painted by a professional sign-writer, or even have a go themselves.
The Digital Textile Conference, running alongside the show on the 8 March, will interest visitors looking at the lucrative opportunities of digital textile printing, a key trend from our Print Census.
The event showcase, Printeriors, will illustrate how printers and designers can create outstanding interior décor using digital print, for furniture, accessories, wallpaper, flooring and more. Supported by a focused printed interiors one-day conference on the 10 March.
There is so much to see and do at FESPA Digital 2016 and with Amsterdam being so easily accessible for those within the Benelux region, it’s an unmissable opportunity.
To register for free, visit www.fespadigital.com and use code ADOZO705.
By-lined to Lynda Sutton, Marketing Manager, FESPA
Lees verder....
The World Wrap Masters will run across the four days of the show. On the 8-9 March the competition begins with the FESPA European Wrap Masters competition, where wrappers will battle it out to take the last place in the World Wrap Masters Series Final.
The World Wrap Masters Series Final will then take place on 10 -11 March where the winner of the final leg of the European Wrap Masters will join winners from South Africa, Mexico, Denmark, Eurasia, Brazil, Ireland and France, who have already qualified for the final. The series finalists will rise to the challenge to compete to become FESPA World Wrap Master 2016, wrapping Audi A1 Sportback vehicles as well as more challenging items, including clogs and a superhero-related item.
Visitors to the Wrap Hub (Hall 7, S50) will have the opportunity to network with professional wrap heroes, as well as discuss the technical aspects of wrapping and enjoy free wrap workshops at midday, every day of the show. Delivered by Head Judge Ole Solskin and fellow judge and world-renowned trainer Justin Pate of The Wrap Institute, the workshops will cover: cutting tips – knives and knifeless tape; wrapping with chrome; cold pre-stretch and triangles; and material considerations.
Returning as Head Judge, Ole Solskin will scrutinise every inch of the wrapped designs, along with Justin Pate, Kiss Lajos, World Wrap Master 2014 and 2015, and John Duever, President of Vinyl Images from the USA. The winner of the World Wrap Masters Series Final on 11 March 2016 will receive €2,500, with €1,250 and €750 for second and third place respectively. All competitors will receive gift bags supplied by the competition partners, a wealth of knowledge from the judges and their fellow competitors and the chance to extend their professional network on a global level.
Pascal Braker, Senior Marketing Manager Graphics Solutions Europe at Avery Dennison comments: “Avery Dennison greatly values the creativity and energy at FESPA events. Working with the FESPA organisation is very rewarding. It means we can not only showcase our most recent innovations, but also make our own contribution to a vibrant and thriving graphics business culture. The World Wrap Masters Series is an especially important chance to see how installers exploit our unique product features – and our focus is always on helping graphics professionals to fine-tune their skills even further.”
Duncan MacOwan, Head of New Media and Events: FESPA, adds: “The European Wrap Masters and the World Wrap Masters Series Final are part of what makes FESPA Digital 2016 such an exciting place to be. Avery Dennison is a natural choice for sponsor, we have seen some truly outstanding wraps created using their products and I’m sure this year’s World Wrap Masters competition will be no exception.”
“During FESPA Digital, wrap superheroes-in-training will also have the chance to learn from experts about how wrapping can diversify their business, as well as finding out the technical skills and dedication required to be a Wrap Master.”
Those interested in competing for the last qualifying places in the Series Final can register for the European Wrap Masters at www.wrapmasters.fespa.com and pay the €150 entrance fee.
For more information on FESPA Digital 2016, to register to attend and to join the free workshops visit: www.fespadigital.com. For free entry, use code ‘ADOZ0703’.
De RAI in Amsterdam wordt tijdens de FESPA Digital het strijdtoneel om de titel World Wrap Master. Gesponsord door Avery Dennison en Mimaki zullen op 8 en 9 maart de beste wrappers strijden om een plaats voor de finales die op 10 en 11 maart worden gehouden. Meer informatie over World Wrap Master lees je in het onderstaande FESPA persbericht.
PRESS RELEASE
14 January 2016
WORLD WRAP MASTERS COMPETITION POWERS UP IN AMSTERDAM
FESPA partners with Avery Dennison and Mimaki for the World Wrap Masters Series Final
FESPA’s World Wrap Masters accelerates into the RAI Amsterdam at FESPA Digital 2016 to commence battle to crown a wrap superhero, in collaboration with partners Avery Dennison, a global leader in wrap vinyl materials and Mimaki, a leader in digital print technology.
The World Wrap Masters will run across the four days of the show. On the 8-9 March the competition begins with the FESPA European Wrap Masters competition, where wrappers will battle it out to take the last place in the World Wrap Masters Series Final.
The World Wrap Masters Series Final will then take place on 10 -11 March where the winner of the final leg of the European Wrap Masters will join winners from South Africa, Mexico, Denmark, Eurasia, Brazil, Ireland and France, who have already qualified for the final. The series finalists will rise to the challenge to compete to become FESPA World Wrap Master 2016, wrapping Audi A1 Sportback vehicles as well as more challenging items, including clogs and a superhero-related item.
Visitors to the Wrap Hub (Hall 7, S50) will have the opportunity to network with professional wrap heroes, as well as discuss the technical aspects of wrapping and enjoy free wrap workshops at midday, every day of the show. Delivered by Head Judge Ole Solskin and fellow judge and world-renowned trainer Justin Pate of The Wrap Institute, the workshops will cover: cutting tips – knives and knifeless tape; wrapping with chrome; cold pre-stretch and triangles; and material considerations.
Returning as Head Judge, Ole Solskin will scrutinise every inch of the wrapped designs, along with Justin Pate, Kiss Lajos, World Wrap Master 2014 and 2015, and John Duever, President of Vinyl Images from the USA. The winner of the World Wrap Masters Series Final on 11 March 2016 will receive €2,500, with €1,250 and €750 for second and third place respectively. All competitors will receive gift bags supplied by the competition partners, a wealth of knowledge from the judges and their fellow competitors and the chance to extend their professional network on a global level.
Pascal Braker, Senior Marketing Manager Graphics Solutions Europe at Avery Dennison comments: “Avery Dennison greatly values the creativity and energy at FESPA events. Working with the FESPA organisation is very rewarding. It means we can not only showcase our most recent innovations, but also make our own contribution to a vibrant and thriving graphics business culture. The World Wrap Masters Series is an especially important chance to see how installers exploit our unique product features – and our focus is always on helping graphics professionals to fine-tune their skills even further.”
Duncan MacOwan, Head of New Media and Events: FESPA, adds: “The European Wrap Masters and the World Wrap Masters Series Final are part of what makes FESPA Digital 2016 such an exciting place to be. Avery Dennison is a natural choice for sponsor, we have seen some truly outstanding wraps created using their products and I’m sure this year’s World Wrap Masters competition will be no exception.”
“During FESPA Digital, wrap superheroes-in-training will also have the chance to learn from experts about how wrapping can diversify their business, as well as finding out the technical skills and dedication required to be a Wrap Master.”
Those interested in competing for the last qualifying places in the Series Final can register for the European Wrap Masters at www.wrapmasters.fespa.com and pay the €150 entrance fee.
For more information on FESPA Digital 2016, to register to attend and to join the free workshops visit: www.fespadigital.com. For free entry, use code ‘ADOZ0703’.
VIGC BOPE 2025: Redefining print. Success in a digital world. Met o.a. Peter Luit als gesprekleider binnen het panelgesprek ‘Platformeconomie, kansen voor grafimedia bedrijven?’
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