Rob van den Braak
Lees verder....
It was Marloes Lubberding of graphics designers Paraaf tekst en ontwerp (Paraaf, text and design) who came up with the idea of using Boekbol (book globe) for a campaign for one of her clients.
This client, a packaging manufacturer, uses this unique product to draw attention to an internal campaign.
350 Dutch and 25 French book globes were produced by the company of the same name, located in Katwijk.
The book globe was invented two years ago by Marco den Engelsman who owns the industrial copyright. A book in a spherical shape on a small pedestal. After a year the inventor was able to mass produce this unique book, which was no mean feat.
After a few smaller editions the Paraaf order was the first big production. Boekbol decided to print in offset with a glossy laminate finish. The pedestal was done in solid ash in a broad shape to guarantee stability.
The Boekbol offers infinite fun and has 32 round pages (spreads) shaped into a book. For anyone who wants something special for themselves or their customers this is a fantastic promotional object.
If you are interested in hearing more about Boekbol, please mail us at info@boekbol.com or call Beate den Engelsman on +31 6 34122543
Lees verder....A good mix of content about products or services is a proven way to score leads. However, finding the right mix of dissemination is equally important. Not just the correct tone and length of the content for the target audience, but also which media channels to choose. Longer articles don´t score well in blogs and social media such as Twitter, Facebook and LinkedIn have specific requirements. If you combine those with the right images and headlines you are guaranteed success. Want to know more? Blokboek.com can help. Contact Marco den Engelsman on +31 618 88 3969 or via marco@blokboek.com
Lees verder....Het automatiseren van print producties, een voorwaarde voor kostprijsbeheersing, staat en valt bij het gebruik van de juiste data formaten. Het verschil tussen TIFF en JPEG, het gebruik van Metadata en de rol van ISO standaards in dit proces is het onderwerp van de derde Wild Format Guide van Digital Dots. Deze en de andere Guides in de serie vind je op de Download pagina van Blokboek.com
Lees verder....The automisation of print productions, prerequisite for cost control, is completely dependent on the right data formats. The difference between TIFF and JPEG, the use of meta data and the role of ISO standards is the subject of the third Wild Format Guide by Digital Dots. This and the other Guides in the series can be downloaded from our Download Page.
Lees verder....There are hundreds of 3D printers for sale, from DYI models for about 200 Euros to production monsters costing tens of thousands of Euros. 3DPB gives an overview of 121 of them, including prices, comparisons of layer thickness, maximum object sizes and other important characteristics.
You need a Silk account to be able to view 3DPB. Silk is an online tool for presenting data. A Silk account will allow you to add and change any information on the 3DPB page. Difference with Wikipedia is that this cannot be done anonymously, preventing unjust manipulation of data.
Lees verder....
Lees verder....We’ve heard back from the Danish government on why they think taxing print is a good idea. But their response raises more questions than it answers and exemplifies one of the fundamental problems facing environmental questions: ignorance.
The Ministry of Taxation has told us that the “The purpose of the advertising-tax is to reduce the quantity of printed door-to-door matters and will be for benefit of the environment”. The tax is 0.67 US cents per kilo printed, so a direct mail printer printing 700 tonnes per year will have to pay $469,000 in tax. The tax reduces by a half for print carrying the European EcoLabel, itself a flawed specification.
The Danish government reckons to raise DKK340 million per year in taxes, which is about $57 million and a trivial amount for a country with a GDP of $331 billion. They also expect the tax take to go down year to year, as the cost of print becomes untenable for media buyers. The social and economic cost to the country will certainly dwarf the income this tax raises, but that doesn’t seem to be a consideration in this hazy picture.
The tax covers “all forms of distributed advertising brochures”, with a few exemptions, such as telephone directories. Creative print buyers who want to use print can dress up telephone directories in all sorts of ways, especially if they want to reach very local audiences. In fact this could be an opportunity for digital printers who want to use variable data to create highly local, advertising driven publications. The question is how the Danish government defines a telephone directory. Does it have to be on yellow paper and only use black ink?
The more worrying justification the Danes have for this tax is that reducing the amount of print will benefit the environment. Print’s sustainability is proven as is its effectiveness and popularity. The view that print is bad for the environment is superficial and ill-considered. It isn’t print that is bad for the environment, it is waste. The Danish government should be encouraging better waste management and reduction, and environmental awareness. Responsible use of print should be the focus, not demonising it on the basis of uninformed environmental misconceptions.
This is a slippery slope that risks restricting information access and the ability of Danish companies to promote themselves and engage with customers. This tax constrains media choice and assumes electronic media for information access. A tax that restricts media channels is effectively a tax on information and knowledge. This cannot be healthy for a free and democratic society. The Danish government expects to pass the bill early 2015, with the law coming into effect mid-2015 although we were advised that “the Ministry of Taxation is assessing the development on the market for door-to-door matters and the impact on the expected tax-revenue.” Perhaps there is some hope of good sense prevailing, but don’t bank on it.
Laurel Brunner
Dit blog wordt mogelijk gemaakt dankzij de bijdrage van: Agfa Graphics (www.agfa.com), Digital Dots (http://digitaldots.org), drupa (www.drupa.com), EFI (www.efi.com), Fespa (www.fespa.com), Heidelberg (www.uk.heidelberg.com), Kodak (www.kodak.com/go/sustainability), Mondi (www.mondigroup.com/products), Pragati Offset (www.pragati.com), Ricoh (www.ricoh.com), Shimizu Printing (www.shzpp.co.jp), Splash PR (www.splashpr.co.uk), Unity Publishing (http://unity-publishing.co.uk) and Xeikon (www.xeikon.com).
BlokBoek.com is de Nederlandse media-partner van Verdigris, een non-profit initiatief dat de werkelijke voetprint van druk- en printwerk die drukwerk achterlaat eerlijk in kaart wil brengen en dat bedrijven en organisatie steunt om die voetprint te verlagen.
Meer informatie over Verdigris vindt je via deze link.
You may have read an earlier Verdigris blog post by Laurel Brunner about the nonsensical plan of the Danish government to impose extra taxes on printing. This week she received an answer to the questions she posed. The response to her answer about the purpose of the extra taxes: “the taxes will lower the amount of printing which will benefit the environment.” If you´re interested in knowing what Laurel thinks about this, you can read it in her post on blokboek.net.
Lees verder....
The Ministry of Taxation has told us that the “The purpose of the advertising-tax is to reduce the quantity of printed door-to-door matters and will be for benefit of the environment”. The tax is 0.67 US cents per kilo printed, so a direct mail printer printing 700 tonnes per year will have to pay $469,000 in tax. The tax reduces by a half for print carrying the European EcoLabel, itself a flawed specification.
The Danish government reckons to raise DKK340 million per year in taxes, which is about $57 million and a trivial amount for a country with a GDP of $331 billion. They also expect the tax take to go down year to year, as the cost of print becomes untenable for media buyers. The social and economic cost to the country will certainly dwarf the income this tax raises, but that doesn’t seem to be a consideration in this hazy picture.
The tax covers “all forms of distributed advertising brochures”, with a few exemptions, such as telephone directories. Creative print buyers who want to use print can dress up telephone directories in all sorts of ways, especially if they want to reach very local audiences. In fact this could be an opportunity for digital printers who want to use variable data to create highly local, advertising driven publications. The question is how the Danish government defines a telephone directory. Does it have to be on yellow paper and only use black ink?
The more worrying justification the Danes have for this tax is that reducing the amount of print will benefit the environment. Print’s sustainability is proven as is its effectiveness and popularity. The view that print is bad for the environment is superficial and ill-considered. It isn’t print that is bad for the environment, it is waste. The Danish government should be encouraging better waste management and reduction, and environmental awareness. Responsible use of print should be the focus, not demonising it on the basis of uninformed environmental misconceptions.
This is a slippery slope that risks restricting information access and the ability of Danish companies to promote themselves and engage with customers. This tax constrains media choice and assumes electronic media for information access. A tax that restricts media channels is effectively a tax on information and knowledge. This cannot be healthy for a free and democratic society. The Danish government expects to pass the bill early 2015, with the law coming into effect mid-2015 although we were advised that “the Ministry of Taxation is assessing the development on the market for door-to-door matters and the impact on the expected tax-revenue.” Perhaps there is some hope of good sense prevailing, but don’t bank on it.
Laurel Brunner
Dit blog wordt mogelijk gemaakt dankzij de bijdrage van: Agfa Graphics (www.agfa.com), Digital Dots (http://digitaldots.org), drupa (www.drupa.com), EFI (www.efi.com), Fespa (www.fespa.com), Heidelberg (www.uk.heidelberg.com), Kodak (www.kodak.com/go/sustainability), Mondi (www.mondigroup.com/products), Pragati Offset (www.pragati.com), Ricoh (www.ricoh.com), Shimizu Printing (www.shzpp.co.jp), Splash PR (www.splashpr.co.uk), Unity Publishing (http://unity-publishing.co.uk) and Xeikon (www.xeikon.com).
BlokBoek.com is de Nederlandse media-partner van Verdigris, een non-profit initiatief dat de werkelijke voetprint van druk- en printwerk die drukwerk achterlaat eerlijk in kaart wil brengen en dat bedrijven en organisatie steunt om die voetprint te verlagen.
Meer informatie over Verdigris vindt je via deze link.
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BLOKBOEK.COM EN PRINTMEDIANIEUWS: HET OPTIMALE DOELGROEP BEREIK